Sad news as celebrated singer Denise Johnson, who contributed vocals for Primal Scream, New Order, Johnny Marr, and others, died Monday at her home in Manchester, England at the age of 56. Her family released a statement revealing that Johnson “had been ill in the week prior to her death, but told friends she was ‘much better’ on Friday.” The cause of death was not known, but it was reported by her family that she was discovered holding her inhaler.We send our condolences out to her family, fans, and friends at this time.Continue reading
US quartet He Is Legend describe themselves as having a cult following, but when they recently released the title track from sixth album White Bat (Spinefarm Records), it quickly reached one million streams on Spotify. That’s some cult…White Bat is a story about the conflicting feelings of a serial killer, and the band gets to the heart of it more than seems comfortable.Continue reading
The eponymous debut album from London-based quartet Elephant Tree (Magnetic Eye Records) is graced by a sitar, no less, and is a bewitching amalgam of crushing weight and heartfelt melody. Its riffs akin to having both an elephant and a tree dropped upon you simultaneously, it nevertheless possesses a light dexterity which allows them to sashay gracefully through your ears.
‘Wither’ sees said riff growl, moan and howl along a wicked, lazy groove. The beauty here is in the decoration, the Low-end melancholy garnished with wistful, dreamy overlays: a solo oscillating through the mind, the Psychedelic vocals and atmosphere introducing Jar of Flies-era Alice in Chains to San Francisco trippers Sleepy Sun. Lead release ‘Dawn’, meanwhile, allies a filthy Stoner element to a Jon Davis-like scream.
The variety of the early stages is an absolute joy to behold: the hippy acoustic whimsy of ‘Circles’ sends those of us who grew up cocooned in Americana right back to the late 60s we yearn for. The riff of the ensuing ‘Aphotic Blues’ is so encompassing, pulverising, that this pleasant reverie is squashed like a bug: the crushing Sabbath-esque stomp still possessing enough cosmic, acid-drenched languor to keep the remains floating on air toward a vicious, pulsating close. ‘Echoes’, meanwhile, lends a 10CC mellowness to the bluesy notes and warm production before exploding in an Uncle Acid-like fuzz, its gentle mid-section bubbling beautifully.
It’s the juxtaposition between power and dreamy insouciance which is the real hallmark of this enthralling set. The titanic, warbling riff of ‘Fracture’ growls and crawls along like a sated behemoth while indolent, sleepy vocals caress its wounds. It’s a glorious feel, a heady atmosphere reeking of both patchouli oil and Kula:Shaker’s eastern melodies and rhythms, yet full of an easy vitality. This is all wonderfully brought together in the monolithic, drifting closer ‘Surma’, its moving, driving solos riding a trammelling riff toward a delicate coda of piano.
Fresh as a breeze, heavy as a mountain troll, and bloody addictive, even at this early stage Elephant Tree will sit atop a few weighty lists come the end of the year.