Let’s get it on the table – Through The Window of Night (Séance) is well played and excellently produced with a good energy. Frontman Raato unleashes powerful, feral howls, and Pentele shines with a 36 minute holocaust from behind the kit. This is a decent black metal release with very obvious Gorgoroth and Immortal reference points.
However, for all its’ competency, like so many faceless corpse-painted albums before it, Through The Window Of Night is pointless. It has no personality, no individuality and serves no real purpose. Not every album should, or can be boundary pushing, but sticking rigidly to a style and formula that has been stuck rigidly to for nigh on twenty years by countless others leaves them in the middle of an unspectacular and very large pack.
Black Metal is intrinsically a scene of contradiction – claiming rebellion and anarchy while entrenched in blatant retrospection and reverence to a select few hallowed reference points. But these days it’s a blunted rebellion, stunted by a refusal to move beyond a formula that was first laid down 25 years ago by Bathory and then refined and defined by Darkthrone, Burzum, Mayhem, Emperor et al.
Staring out the window wistfully (the proper one, the one in the wall, not one of night), a half-grin plays on the lips as fond memories tickle the brain of a time when black metal was exciting and boasted creativity and diversity, when acts mutated and pushed boundaries. Sadly Through The Window of Night, for all its’ sonic strength and no matter how well played it is, lacks any desire to be anything other than just another black metal album. If they were alone in their Gorgoroth/Immortal worship, then I might think more kindly, but it’s over 20 years since Pure Holocaust and 18 since Antichrist. The repetition of sound and style by Graveborne and others is well beyond boring now.