Devin Townsend has shared a new music video from his upcoming album Empath – The Ultimate Edition, due out on June 5th via InsideOut Music. This video is part of some of the brand new visuals that make up the accompaniment to Devin’s stunning 5.1 mix that is contained on this new version of “Empath”, and was created by Crystal Spotlight. Watch it now below.

 

 

This comprehensive version of 2019’s acclaimed album contains the original record and bonus disc across 2 CDs, plus 2 Blu-ray discs. The first Blu-ray contains the 5.1 Surround Sound mix by Devin, with visuals for the full record, plus a stereo visualiser. The second Blu-ray contains a raft of bonus material, including “Acoustically Inclined – Live in Leeds”, a recording from his April 2019 acoustic tour where he performed tracks including “Love?”, “Deadhead”, “Thing Beyond Things” and more. It also features the full “Empath” documentary, a “Genesis 5.1 Mixing Lesson”, a full album commentary and more. The four discs sit inside a beautiful art-book that contains new liner notes and images from the making of the album.

Devin comments of the new 5.1 surround sound mix: “On a technical level, I guess I have always been dissatisfied with the basic ‘stereo’ format in which the type of music I make gets presented in. Whether its headphones, computer speakers, stereos (or basically anything currently), I have had to figure out ways to get the work to function through TWO speakers. I hear things in a particularly orchestrated way, and with the amount of information that typically gets recorded per song, the result has been the dubious ‘wall of sound’ that I keep ending up with. But my intention has never been to make an oppressive experience, but rather something that is immersive and vast. Making it work in two speakers just simply doesn’t quite work for the vision. Although I’ve managed to get the point across, (to varying degrees), things always have to compromise to make it all fit. Making the drums speak at the same time as orchestra, cymbals, guitars, choirs, synths etc.…all with my voice on top, ends up with every conceivable frequency fighting for breathing space between those two speakers. Therefore, I asked the powers that be in my business world, to tolerate one more ‘kick at the can’ when it came to ‘Empath’. I wanted to attempt a surround mix and follow the original vision of it being an immersive, multimedia experience for people in the ways I could best achieve at this stage. And although it’s still pretty ‘dense’, with four more sources for the sound to come from, I feel its significantly closer to the original vision here.”