There’s no denying Destroyer of Light‘s prolific sense of adventure. The Austin, Texas quartet’s first release was a live set and in the eight years since, the band has let loose three albums, three EPs and a split with Tucson Doom monsters Godhunter. The latest of those EPs, Generational Warfare (Heavy Friends Records), is more of a ‘double-A side’: a two-song blast of mournful energy. Continue reading
Those who’ve known me for some time will have had their ears blunted by my constant praise for Birmingham, UK Industrial Doom duo Khost. Equal parts sampled violence, malevolent strings and vocal apocalypse, beautiful Eastern lamentations often deflect from that harsh path and create a nuance flavoured by the likes of VAST and Moby. Their fourth album Buried Steel (Cold Spring Records) sees a band now truly at ease with its style, happy to have edgy two-minute psalms populating a set in the knowledge that they serve a purpose for the whole.
“Come with me now; be joyful. It is time to enter The Electric Castle!”
After the wild success of the Ayreon Universe shows in 2017, where an audience of international Ayreonauts was treated to a best-of selection of Ayreon’s most popular songs, the Poppodium 013 once again opened its gates to the gentle hordes in September of 2019. 2018 had seen the twenty-year anniversary and the re-mixed and -mastered version of Into The Electric Castle, and thus it was a logical step that this new live show centered around that album, a favourite of many. To the great thrill of not only the fans but the artists as well, Arjen managed to gather most of the cast members of the original album, and the most admirable substitutes for those who couldn’t make it. Continue reading
Comprising members of Unsane, Swans and Cop Shoot Cop, New York quartet Human Impact embrace all of those bands’ qualities and add a rebellious Noise element which belies the middle age quickly enveloping the protagonists. Debut album Human Impact (Ipecac Recordings) sees that collective maturity provides a focused, prowling edge. Continue reading
Whenever the time-honoured, if ultimately pointless “if it had been a Big Five…” question raises its ugly head, Bay Area bruisers Testament always find themselves at the forefront of the conversation. Even alongside names such as Exodus, Overkill, and Kreator, such is their… ahem, legacy (sorry), it’s not uncommon to find them as one of the top two preferred choices. Continue reading
It’s been four years since the German Extreme Metal act, Heaven Shall Burn, released their last album. After Wanderer (Century Media Records) came out, these hard-hitting fellas took a very justified break. Now with batteries recharged, they’re back with an adventurous new release. The band gifted us with the double album, Of Truth and Sacrifice (Century Media Records) earlier this month and it’s making quite the impression. Known for their aggressive sound and topical lyrics, this ninth full-length release is taking these extreme characteristics to a new level. The band has been around for nearly twenty-five years and they are still taking their massive sound to some exciting, uncharted territories. Continue reading
I like to think I am a tough nut to crack, an enigma, if you will, shrouded in a mystical cloud of mystery. My editor proved to me that when it comes to my musical tastes he has me all figured out. Case in point, the new self-titled EP by Razor Candy (Sensory Recordings). My editor said I would really dig the newly released profoundly immoral brainchild of Paul Wiley (Marilyn Manson, Deveraux) and Chad Cherry (The Last Vegas, The Claws) and he was not wrong. I may be a self-described metalhead, but I am also a self-described lover of musical ingenuity and raw talent, which Razor Candy not only possesses but showcases in an eloquently macabre way. The EP contains five tracks that are available in all streaming formats, but for you vinyl loving freaks (myself included) there is a bonus track included only on vinyl, how fanfreakingtastical is that? Continue reading