Rock ‘N’ Roll might be a young man’s game, but it is not stopping the Robinson Brothers from again coming together on Happiness Bastards (Silver Arrow Records) to prove they still have it. If Amorica was the last album you picked up by these guys, then things have changed dramatically. If you are one of their more avid followers then you have heard their transition away from merely being a Led Zeppelin/Rolling Stones hybrid, so this album makes perfect sense.
Category Archives: Reviews
CONCERT REVIEW: KMFDM – Morlocks Live at Brooklyn Bowl
KMFDM doing it again. This time it was at Brooklyn Bowl in Philadelphia.
One of the more prolific Industrial bands, KMFDM has a reputation for releasing an album every one and a half years and touring in support of that album shortly after that. This year marks the fortieth year of touring and their twenty-third album entitled Let Go (Metropolis Records, read our review here). The band’s longevity can be attributed to their Synthpop-infused Industrial sound and connection with the audience. Band members are often readily accessible to the crowd before and after the show, something that is pretty rare in this day of paid Patreon accounts. Continue reading
ALBUM REVIEW: BRAT – Social Grace
Where to start with BRAT? The potential is on the wall as I don’t recall too many bands that get to release their debut LP – Social Grace, by the way – via Prosthetic Records. And bear in mind that this is an outfit that formed right before the golden days of the Coronavirus pandemic so it’s not like they’ve been toiling away in the dark for the better part of a decade. So, therefore, these kids must have the goods. Continue reading
ALBUM REVIEW: Kid Kapichi – There Goes The Neighbourhood
Rising from Hastings, England, Punk quartet Kid Kapichi unveils their third album There Goes The Neighbourhood (Spinefarm Records), the blunt and cheeky follow-up to 2022’s Here’s What You Could Have Won. The album maintains the distinct personality the group is known for, utilizing it to present their political ideologies while keeping the music light and fun. Continue reading
PODCAST: Glacially Musical #171 – Slayer: “Seasons In The Abyss” or Crucial Album Number 5
Time for episode 666 of our @Slayer series! Nik and Keefy of @GhostCultMag wax ans wane about “Seasons In The Abyss” – a stone-cold classic!Continue reading
CONCERT REVIEW: Crosses – Crook One Live at The Fox Theater
I could not have picked a better night to go out to Oakland to see the headline tour from Crosses. I remember seeing their debut tour over a decade ago when I lived in Boston, at the Paradise Rock Club. That night, the venue was packed to the gills, and I distinctly remember being by the soundboard and seeing the separate rack settings and notes for Chino Moreno’s microphone and effects. It was a pretty cool glimpse inside the live sound of the guy who I have followed since the mid-nineties with Deftones. But much like Maynard James Keenan and Puscifer, it does seem like Crosses is his favorite child and passion. Along with his partner Shawn Lopez, formerly of the awesome and now defunct Sacramento band Far. They make for a sick team of creatives. Continue reading
ALBUM REVIEW: Sweat – Love Child
DragonForce – Warp Speed Warriors
Before we start, go back and take another look at the cover art.
Go on, I’ll wait.
See, while some bands go for a subtle or even abstract “don’t judge a book by its cover” approach, other bands are Dragonforce. Everything emblazoned on the cover to ninth full length studio release Warp Speed Warriors (Napalm Records) is represented here through the medium of eardrum destroying sound. No room for understatement, metaphor or artifice – just a bold, blinding explosion of light, colour and comic book action.Continue reading
ALBUM REVIEW: Mastiff – Deprecipice
The multilayered masterpiece that is Deprecipice (MNRK Heavy) is lightyears away from anything else that has graced the brutal metallic sludge/Hardcore/Death Metal scene for quite some time. Leave it up to Mastiff to be the ones leading the charge. Continue reading
ALBUM REVIEW: Prisoner – Putrid – Obsolete
Technological horror, the literal or metaphorical collision of organic life with machines, from JG Ballard to David Cronenburg to Akira, there’s something so compelling (and often terrifying) about the welding of machine and flesh. The jaws of the thresher know no remorse, while the body is destined to suffer in its grip. Such thoughts occur listening to Putrid / Obsolete (Persistent Vision Records), the latest record from Richmond, Virginia’s extreme-metal unit Prisoner. Continue reading