Back To Work: Agoraphobic Nosebleed Plots The Future


southwest-terror-fest-v-swtf-v-final-poster-ghostcultmag

 

Reclusive grindcore masters Agoraphobic Nosebleed have been downright prolific the last few years. Playing multiple special shows at festivals, and with a great new EP out earlier this year Arc (Relapse) ,the band has seen a resurgence of popularity, and as usual, unwavering respect in the underground. They will take a turn as one of the headliners this weekend at Southwest Terrorfest V in Tuscon, AZ. Ghost Cult’s Andrew Francis caught up with Adam Freisch, Richard Johnson, and Scott Hull earlier in the year to discuss the current state of the band, future recordings, and the difference in the record industry between being in a grindcore band, versus say Slayer, Iron Maiden or Tool.

Continue reading


Open-Minded: Dimitri Vossen of Desertfest Antwerp


YOB Susanne A. Maathuis Photography

YOB Susanne A. Maathuis Photography

Desertfest Antwerp takes place this weekend in Belgium, at the legendary Trix Club. Named for the distinct cult style of California’s Palm Desert style of rock, doom, and psychedelic influences, pioneered in the 90s by bands like Kyuss, Acid King, Fu Manchu, Goatsnake, Monster Magnet, 60 Watt Shaman and more. The fest itself and its related other events represent the best in underground culture, with music ranging from stoner rock, doom, indie bands, and other styles to please fans of discerning taste. Ghost Cult’s Susanne A. Maathuis, who is covering the fest this weekend for us had some questions for Dimitri Vossen – one of the organizers of the fest. Continue reading


Everything New Again: Kemble Walters Of Aeges Talks Weightless


aeges-band-2016-another-century-records-ghostcultmag

Aeges. Photo credit, Another Century Records

 

Aeges has gone from buzz band to road dogs and back again over their career. From touring the nation and playing big festivals, to building a following in their hometown of Los Angeles, they have been a group many would label “the next big thing”. Continue reading


To Let Your Your Soul Live On: Adam Wakeman Says Goodbye To Black Sabbath


black-sabbath

 

Adam Wakeman has been on stage and behind the scenes with some of the greats of all time in his various roles with Ozzy Osbourne’s solo band, and as the keybordist/backup guitarist for Black Sabbath, plus his own band of prog rock masters Headspace. We chatted with Adam recently about playing the final dates with Sabbath on “The End” tour, the health of Tony Iommi, his future with Ozzy, and how he feels on the occasion of the final year of tours.

 

Are you starting to get sentimental about these final dates, or you won’t get there until later in the next year maybe?

I think I would like to say that I would be thinking about that later towards the end of the tour, but it’s very hard not to feel that it’s something quite special at the beginning, because, no pun intended, it’s the beginning of the end. It’s pretty final, which is quite sad. At the same time, just to be a part of it is amazing. The first ever show I did was 2014 I think … I’m sorry, 2004. It was quite some years ago, and to be honest, I thought that might be my last tour, because you never know from one year to the next, things change. I try not to get too sentimental about it, but it is hard not to feel that you’re part of something special, that’s for sure.

Everybody understands that this is certainly not the end of the career for anybody involved in Black Sabbath. Ozzy is planning solo work, as is Tony. I’m sure you’ll be involved in more solo tours.

That’s the plan. He (Ozzy) knows, you can understand that they, after some 44 odd years, it has to come a time … The touring schedule … I get quite tired sometimes. I’m 41 years old, so when you’re in your late 60s, it has to be harder as well. You can totally understand where they are coming from, and I think that it’s great that they’re doing it on such a great level.


black sabbath the end us tour 2016


Especially for Tony, who obviously despite his very public health struggles, has a clean bill of health at the moment. Everybody worries about him and certainly you can only do so much.

Of course. I can only speak from my … If I was in a position like that, I not even sure if I would be doing a final tour. He’s really well, and he’s experienced something that a lot of people unfortunately don’t have the good fortune to be able to experience. He’s had successful treatment, and he’s really well. It’s amazing how they get on with it really. Yeah, it’s a great thing to be a part of.

 

KEITH CHACHKES

 

 


Summer Survival Guide: Levi Benton and Ryan Neff of Miss May I


miss may i warped crowd 2015

The start of the summer music festival season is here and Miss May I are no strangers to touring all summer, in a van or a bus. We met up with Levi Benton and Ryan Neff at The Rockin Derby in New York, and right before they headed to Europe for a tour. They also had stops at Rock On the Range, this weekend’s Amnesia Rock Fest, Chicago Open Air, and many more. We asked the guys how they survive the grind of the road in an interview with Ghost Cult.


Levi: For me, it’s been the front man, and trying to direct the crowd. Festival crowds are the easiest to direct. It’s a blast to have them do crazy, insane stuff that they can’t do at a venue. That’s my favorite.

Being touring veterans like you guys are, I’d love to ask the question what is your survival kit like? What do you need to take on tour for the summer, five things, a bag of things, specifically what is it that makes your touring experience bearable?


Ryan: We’re about to try and do the U.K. without suitcases, which is not normal for us. Normally, the tour is so long that you’ve got to have one. We’re about to do it backpack wise. I think it comes down to … You’re going to get soap everywhere, that sort of thing, you need a toothbrush, toothpaste, deodorant, and a phone charger.

Levi: Phone charger. A phone charger that works in the U.K.

Ryan: If things work … Yes, yes. If things work out for you there, then you’re going to be in good shape. You’ll probably get good luck. You find soap. You find all that sorts of stuff. I shave my head every couple of days, so maybe some razors for me, but you really don’t need that much because you’re going to run into … the venues are usually really generous to you, especially on the festivals, they’re sort you out with anything you need. A good attitude would probably be … if you can buy a good attitude, that would get you through a lot of tours.

Since the band has a big following already in the USA, we asked what they look forward to most when touring Europe. What is the bigger draw: sight seeing or the food?

Levi: Yes, the food.

Ryan: They’ve got different food than we do.

Levi: I’m trying to think. Food, big thing. There are other things … I love the shopping there.

Levi: The stores they have. It’s really weird, like the Nike store, or anywhere else there, it’s different stuff than you see in the U.S. It’s awesome because it doesn’t cost any different, but you get that there, and then you come home, and everyone is like “Where did you get that?” You just giggle because you know they can’t get it. It’s pretty … I love the shopping over there.

Ryan: Yeah. Man, the Wagamamas and Nandos, two of my absolute favorite foods.

Levi: Two more days!

Ryan: Yeah. We’ve been counting down. There’s only two Nandos in the entire country, I’m pretty sure, here in America, and you go over there, and you find them every five minutes.

Levi: They have Wok To Wok will be everywhere.

Ryan: Wok To Wok. That’s another one. Loads of them.

KE_MMI_08 Miss May I


We next asked about essential tour bus music:

Ryan: We are very eclectic. We are very eclectic as a group. Different guys like different things, like I go CD obsession. I don’t go song obsession. I go CD obsession until the CD is just so played out that I can’t even stand it.

Levi: I think Jared, our drummer, is the DJ of the bus.

Ryan: Yeah. He always, he finds goofy songs or like happy songs, like he just … The most outrageous things, and he always will grab the chord. No matter where we’re at, if he hears something playing that’s ridiculous, he’s over there giggling with his iPhone playing it.


Describe ridiculous.

Ryan: I don’t know if you’ve heard of … Group X is one.

Levi: Group X. Turquoise Jeep.

Ryan: Turquoise Jeep is one.

Levi: That’s a band with these two like rapper dudes.

Ryan: A lot of goofy stuff.

Levi: Talk about fertilizing some eggs. Yeah, so that’s the stuff we listen to.

turquoise jeep

KEITH CHACHKES

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Putting In Work – Todd Jones Of Nails Talks Touring


nails YWNBOOU album cover
In Part II of our exclusive chat between Hansel Lopez of Ghost Cult and Todd Jones of Nails, Todd discusses touring with the band, while keeping things stable as possible on the home front. He also goes in-depth about playing on bigger festival stages with more mainstream bands such as Ozzfest, This Is Hardcore, New England Metal And Hardcore Festival, and the possibility of another new Nails album in the works soon.
I noticed that you guys are going to be making an appearance at the Ozzfest this year.

Yeah, we’re going to be playing Ozzfest. We got asked to play. I don’t know what was the deal. We got the phone call saying “Hey, do you want to play with Black Sabbath?” I said “Yeah, for sure.” They put us on. I’m pretty psyched to play that shit.

I’ve noticed, it’s a diverse bill since it has bands like Kataklysm, and brutal bands like that. But at the same time, Disturbed and other mainstream acts. How do you think the audience are going to react to you guys? Do you think it will be a good show?

It’s a process man. It’s fucking mainstream metal. What do you expect? How are people going to react to it? I don’t know. I don’t even know if there is people there. It’s 1:50 in the afternoon, that’s our set time. I imagine people will come to the stage when we play, and we’re going to get up there and do our thing, and use it to the best of our ability. I don’t know how people are going to react to us. Like I said, I mentioned Oz Fest is fucking cool cause ongoing to get to see Black Sabbath for free.

That’s pretty much it. We’re going to go play and do our thing, and hopefully, people dig on us. If they don’t, they don’t. We’re only going to be playing for 30 minutes, so we’re not going to waste our stage time. I don’t know what to expect, and I don’t have any expectations other than I’m going to drive an hour away from my house to go play a show and then go watch Black Sabbath, and that’s pretty much it.
I’ve always understood that you guys work day jobs, but sporadically will tour across … I know you guys have a date coming up I think in Boston next month.

We tour for about 1 month to 6 weeks per year. We take time off of work here or there, just go off and play some shows from June 17th to June 26th. We’ll be going from Chicago to Raleigh, North Carolina, and just playing about 11 shows from the Midwest to the East coast of the United States. That is correct. We will be playing Boston at the Middle East, and that’s pretty much it, man. We do tours sporadically, and we do tour one week at a time. With Nuclear Blast, they didn’t require that we play more shows. When we contacted them, we told them what we were willing to do and what we weren’t willing to do, and they told us what they needed from us and what’s they didn’t need from us, and that was pretty much it. They didn’t want to change the format. It’s pretty much just business as usual for Nails, man.

Nails, by Emma Parsons Photography

Nails, by Emma Parsons Photography

Outside of the little summer tour you guys are doing, and the Ozzfest appearance, what’s next for you guys?

We’re going to go to Europe in November, and then I’m sure we’ll find our way to … We’re going to be playing This Is Hardcore Festival in Philadelphia in August. We’ll find our way around the country a couple more times before we start making another record. We’ll probably be playing Boston, I think we’ll play Boston four times, so we’ll probably get out there and play some more shows, some more festivals. They’re still doing New England Hardcore Fest (Editor’s note: New England Metal And Hardcore Festival) and if they want us to come back, we’ll definitely come back. It’s just playing shows, man. That’s pretty much it. We’ll probably start working on another record in the next year or so.

Really, that quick?

Yeah. Typically, bands put out records every 2 years. We put out records every 3 years, but who knows what will happen, man. Maybe it’ll take another 3 years to make a record, but … If our record comes out in June, and Nuclear Blast wants to try to get another record out within 2 years, that means we’ll probably have to start writing about a year from now and record. You have to follow the idea of a year. Who knows? Who knows what’s going to happen? We’re just stoked. We’re ready for our new album to come out, and we’re just ready to have fun, play shows. We’re just grateful that there’s people who want to see us play, and that’s pretty much it.

Nails, by Emma Parsons Photography

Nails, by Emma Parsons Photography

Just speaking of the writing really quick, ‘They Come Crawling Back’, which in my understanding is the longest song you’ve ever written at 8 minutes?

Yeah, that’s fair. Yeah, that’s our longest song.

That’s my favorite track off this new album. I thought it was killer.

Thanks, man. We’re going to have to play that song live because I’ve been getting so much feedback like that. We’re starting to play our songs live too much, but we’re going to have to rehearse it and get it together. I really like that song too. It’s just, it’s fucking long.

But it’s rewarding. It’s almost like for me it’s like when you listen to Godflesh and Neurosis, it’s like that crushing heavy sound.

Yeah, man. It’s like my favorite bands, and my language was referencing those 2 bands.

Great minds think alike, right?

That’s what’s up man.

 

INTERVIEW BY HANS LOPEZ
CONCERT PHOTOS BY EMMA PARSONS PHOTOGRAPHY

 

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Nighttime Music – Chuck Garric Of Alice Cooper/Beasto Blanco


center>Chuck Garric and Alice Cooper, by Evil Robb Photography

Chuck Garric and Alice Cooper, by Evil Robb Photography

Alice Cooper remains one of the most consistent and viable bands in rock and roll history. Not only has he had a great career, but he continues to make strong new albums, and of course put on a legendary show every night. Chuck Garric has played bass and been one of the leaders of Alice’s band for more than a decade. A fine musician and a noted hell-razor, Chuck has become a fixture with his fiery performances, and contributions with past music, and writing a new Alice Cooper album, hopefully out for 2017. He had a lot of insights into the twisted world that is touring with Alice to share with Ghost Cult.

We checked in with Chuck at the start of a new Alice Cooper tour, and talked about what the process is for him.

Chuck: Everything is going great. It’s always a lot to look forward to when you’re touring with Alice Cooper. One of the things I enjoy the most, working with him through the years is when we co-develop a new show and get into rehearsals and start digging into his catalog, and start figuring out what songs we can play and that we haven’t played in a while. Putting together the whole theatrical side of it, it’s always just a lot to look forward to.

 

Casual fans may not know this fact, but that every time the band tours, it’s a brand new show every time, and it’s a new set list, except for the hits.
Yeah, you have to remember that there is a reason why you hear this certain number of songs that, for the majority of the people, they want to hear. Now, for your deeper cuts, and longer fans that listen to everything, there are some songs that they would like to hear that maybe aren’t as recognizable to some of the fair weather fans, as you will. There are just some people that aren’t deep cut fans. You want to please everybody; but at the same time you’ve got to put in the set what flows. There’s a certain way a set flows, and certain songs work better with others. Some songs are amazing live. Some songs are better left to listen to on the record. We always try to keep that mind when we’re developing the set.

Chuck Garric and Alice Cooper, by Evil Robb Photography

Chuck Garric and Alice Cooper, by Evil Robb Photography

Do you personally get surprised at certain songs that get pulled out, or surprised certain songs don’t get performed often?

No. I’ve been involved now for over thirteen years, so I … The set list gets passed off by table as well. I have toured in suggesting songs, so it’s a fun process to go through. Sometimes, you’ll push for a certain tune, and you’ll hope that it flows. We’ve got a great band, so everybody just does their part, learns it, and you just hope for the best. At times, yeah, you get a little surprised, maybe something was flowing. We were really digging it and the band was jamming, but maybe at the same time, it just didn’t have enough for the show. It didn’t really add to the whole theatrical side or the show die if it, so it may get pulled. That’s just the way it goes. You learn the songs, and you know that they’ve got an idea that is really going to understand what they want to show the beat.

Many times for Alice Cooper shows, it’s often amphitheaters and theaters, and mid to big clubs, in my opinion, venues, right? Are there challenges because you have a stage set up and there’s a lot of stuff coming and going, costume changes, props?

I don’t see it … Alice is so, pretty much fits in any stage. It’s such a visual show, and sonically, it’s real pleasing as well. I think with the interaction between the band members, and the way the set is designed, they can throw it up there on any size stage. Yeah, there are times where you can’t build a set for bigger size stages and arenas, where we will be playing mostly smaller venues, or theaters. We just, we try to keep in mind what the tour is going to be like, what size stages there are, and just try to compensate for those particular venues where it happens. Just like the Mötley Crüe tour, we did where it was all big arenas. I thought that our show and our set, and the whole thing just fit perfectly into the size of those big arenas. Like I said before, just a high energy band and a song, it works great.

Chuck Garric,, by Evil Robb Photography

Chuck Garric,, by Evil Robb Photography

As much as any band ever in rock history, Alice’s music is meant for the night. In a festival atmosphere, some stuff works theatrically in the daylight, and some doesn’t. Do you ever find that challenging to play a festival, to a festival crowd outdoors?

It doesn’t really change what we do. I think if anything, it just gives the lighting guy a little time off. It doesn’t change. At night, obviously, it can get a little bit moodier, and you get the full effect of the show, but there is an element too, I don’t want to sound cliché or so optimistic, but an element of playing in the day time. You can really see who it is you’re playing in front of, especially if it’s a bigger site for us or something. I personally don’t really mind, but I think everybody would say you’ve got a show put together like an Alice Cooper show, you’ll always say it’s going to be better at night.

 

As the most veteran guy of the Alice band, for thirteen plus years now, I know musically, Alice has a couple of projects in the works. I know you had some credits on Welcome To My Nightmare 2 in 2012. Do you have any update on the new Alice music?

I think everybody is going to be contributing. We are all writing. We are all preparing for the time when songs are being pushed across the table, and everybody’s given the chance and an ear for what’s going on. We’re all going to collaborate, and just do our part, deal with that basically.

Is there some time-table for that album’s’ release?

I really don’t know. There’s not been a timetable discussed with me as of yet. I know that it’s just up for grabs to continue to write and submit songs when I have them, and that’s what I’ve been doing.

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INTERVIEW BY KEITH CHACHKES

PHOTOS BY EVIL ROBB PHOTOGRAPHY

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Business As Usual – Todd Jones of Nails


Nails. Photo credit by Jimmy Hubbard

Nails. Photo credit by Jimmy Hubbard

After years of toiling in the underground, Todd Jones of Nails finds himself in an interesting space. With the highly anticipated release of their new album You Will Never Be One Of Us (Nuclear Blast) the band is riding the crest of critical acclaim, playing big festivals, and major press. None of that likely phases front man Todd Jones, who mainly cares about respect from fans and peers, and staying as pure to his vision as possible for his music. Interviewed by Hansel Lopez for Ghost Cult on the eve of this new release; Todd discussed the new album, seeing the world, signing with Nuclear Blast, their relationship to the current music scene, expectations, and much more.

 

Right off the bat, we inquired about the title You Will Never Be One Of Us, and how ominous it sounded to us:

Todd: Thank you. You Will Never Be One Of Us isn’t something that I thought of. It’s like how … It evolved into something like hardcore metal punk, so you feel like something connected special, and underground that not every person in the world really knows about. That’s what the title means, You Will Never Be One Of Us, and it’s definitely an inclusive thing, not an exclusive thing. It’s about the culture that just surrounds all of us that are involved in hardcore metal, and the cover is like that too where there is this demon dude, and people surrounding him trying to take something, trying to push something into him. It sums up the title and the concept of the album as well.

I take it that you feel like in modern, metal, and punk, there’s some unnecessary elements or bands going on?

I don’t know. I think that being involved in metal, it’s like there’s that your peers at work or your peers at school, they don’t really know … It’s like you get the into punk rock, or you get into hardcore, or you get into metal, you feel like you know about something cool that like not everybody knows about. Do you know what I mean?

You look at the world a little bit differently, and like the way you shape your thoughts are a little bit different. It’s just about that, like we have something special, and they don’t.

 

That probably explains your love for punk and metal, and probably explains how you know people up here in the Merrimack Valley (Editor’s note: New England), being from California.

Yeah, exactly. That’s how I know people. I’ve met a lot of people across the world and stuff, just touring and being a band, just being part of a culture.

 


It seems like you’ve been in a healthy place.

Yeah. I like my life and I like my position with my band, so I suppose so, yeah. Sometimes, it’s not so healthy. Sometimes it’s a very unhealthy thing, but music is just like anything. It’s what you make of it, so if you make it into something good for yourself, then it’ll be good for you. If you make something bad for yourself, then you’re going to have a problem with it.

 

You mentioned making something bad for yourself, how does, for example; should a band go down that route, where you see it becomes unhealthy for them?

I think it’s easy to get, it’s easy to be in a band and have a lot of ambition to do things when you shouldn’t necessarily be doing them. That can go a whole lot of different ways. You could get yourself in a financial crisis with the street press or the rental properties, the touring agencies, or you could just be taking in way too much more and you already have a mountain load of responsibility in your shoulders. That’s one way that it could be bad for someone. You’ve just got to … It’s just like in life. You’ve got to go through life, and you’ve got to figure out what works for you and what doesn’t work for you, and maximize in the positive things and minimize on the negative things. In time, you’ll learn what works for you as a person.

 

We next asked if there was there any pressure to write the followup to Abandon All Life, considering that it was a killer record and well acclaimed:

Yeah. There was a lot of pressure. We had the band, we had the fans who were going to expect us to deliver an album that’s like those records that would show the equality, but also there was a way to show expression. We still have a lot of pressure on our shoulders that will give us a decent amount of money to put together a record. We have that type of pressure as well. Through the process, we just realized that if we do the same thing we’ve always done with a band and it’s like we just make the music that we like, we can’t try and be something that we’re not. We can’t try to be a band that we’re not. Let’s just do the same thing we didn’t make those records, and just do music that we like, and make sure we like it. If you write a song that you don’t like, how are you going to expect other people to like it, you know what I mean? We just did our thing and made the record. I do think that it is of the quality of a band in our lives, and the fabric. I think our fans are going to like it a lot.
Nails – You Will Never Be One of Us ghostcultmag
This is your first record with Nuclear Blast, and how did that relationship come about? Did those they come and court you guys?

Yeah, what happened was we were at a contract, but we weren’t really looking for labels because we didn’t have any material to go and court, so there was no point to go and sign into a record label because we don’t have anything to offer. That was in 2014, but great, it followed our escape plan, and we went to play with Kill Or Be Killed which are on Nuclear Blast. They went to Monty Connor and said “Hey, I like Nails. You should look into them. They’re a really great band and they’re not in the contract right now.” Monty hit us up and we talked. We went back and forth, and we told him what we’re about. He told us what he’s about, and what the expectations of the label were. We told him what the pace of the band was, and we were able to reach a great contract. So far, they’ve done a great job.

If you’re also familiar with our past material, it’s obvious that we haven’t really changed at all. You Will Never Be One Of Us is a record that we would have put it out regardless of what label we were signed on. We were signed, it didn’t really matter what label we were signed on. That’s the record we were going to put out at this time anyway.

Nails, by Emma Parsons Photography

Nails, by Emma Parsons Photography

 

If anything, it seems like you guys are getting angrier by the record. What seems to be bothering you, Todd?

Just being a human being. Having to deal with just being a human being and the s*** that come along with being that.

 

HANSEL LOPEZ

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From The Shadows – Rozamov


Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

Boston’s sludge and doom metal merchants Rozamov are hitting the road next week with Moon Tooth on a tour that will take both bands through some new territories, surely making new fans. We caught up with the power trio recently to discuss the upcoming tour, the progress of their new album, their approach to songwriting, and that time when they saw Slayer warm up with a Journey cover:

 

Rozamov is hitting the road with Moon Tooth in June. What you most looking forward to for the tour?

Tom Corino: I’m most looking forward to getting to see a little bit of Canada and to play outside the country for the first time. I’ve wanted to get the band north of the border for a while, it feels great to be getting on the road again even for a short little run. It’s the first tour with Yianni so it’ll be a good way to see what it’s like to tour together with the new lineup too.

Matt Iacovelli Each tour has its own flavor and rhythm so it will be interesting to see how this group of people interact.

Yianni Tranxidis: For this short run, were most excited to visit Canada for the first time. This will be ours & Moon Tooth’s first Canada shows, so it’ll be an interesting experience to see how the shows will go.

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

After the tour, are you guys hitting the studio straight away, or are their more songs to write still for the new album? Can we expect the album in 2016, or next year?

Tom: We hit the studio last year and have the finished product ready to go. We recorded with Jon Taft at New Alliance East, which was a great experience. That studio is a great little room and Jon was great to bounce ideas off of. We’re working with a couple labels on different formats for release and we’re getting artwork and such together. It’s looking like an early 2017 release right now, we were hoping to get the record out this year but we didn’t want to rush anything considering how long vinyl turnaround can take these days. This way, everything will be out at the same time and no one will be left waiting around for vinyl to show up.

Matt: We are in the process of getting the artwork together.

Yianni: After this tour, we’re going to be writing more material, as well as finishing up the details for our upcoming album with Rozamov’s former drummer.

Matt: Hopefully it will see release early next year. We have some interested parties involved so things are looking good in that dept. I can’t give you any super specific details just yet.

 

Rozamov - Matt Lambert 2016-3

 

The ‘Ghost Divine’ track from the split 7-inch with Deathkings was great, and seemed to mark a new direction for the band. Will hear more of that style?

Tom: ‘Ghost Divine’ is a lot faster than the material on the new record but the vibe from that song will certainly be present on the record. The new album is by far the heaviest collection of songs we’ve done to date, reflecting the 2014-2015 winter when a good chunk of the record was written. I know I certainly was not in a good place at that time, being buried under 110 inches of snow will do that, so it’s a pretty dark record.

Matt: Not as far as speed or delivery but maybe in feel and over all tone..Ghost Divine was a step apart from really anything we’ve done. In truth we were building a record around that very song, it got picked up by Ryan from Midnite Collective and the rest is history..but the new material is slower and more deliberate its a little more bleak, a little more doom that before.

Yianni: “Ghost Divine” was definitely a huge shift in sound for the band, as it incorporates a mixture of heavy, complex, and driving riffs, while still keeping the core of our Doom sound. A lot of dynamics, and rhythmic changes, which definitely pushed us to write something we haven’t written before. I believe that we’re a band that will always have something different to offer, so I wouldn’t be surprised if our future material will sound a lot like this, and pushing the boundaries even more.

 

Rozamov - Matt Lambert 2016-9

 

What is the writing process like for the band? Is it a constant group effort, or do the individual members bring in their own material?

Tom: We usually write together in the practice space, it’s just the way Matt and I do best. Matt comes up with a good chunk of the original ideas for a riff and we’ll hash it out together in the space. Sometimes we bring in ideas that we’ve written on our own but a lot of those ideas either don’t fly or get dramatically changed in the room. Matt and I push each other to write stuff that’s interesting to the both of us and we can get pretty brutal on each other’s ideas. I think we both work best when we have someone to bounce ideas off of and to push someone in the right direction when they are onto something and struggling.

Matt: I think we just went for it and wrote 3 songs, as yet to be played live, they won’t see Canada this time. Every person has a personality so it will always change the vibe.

Yianni: In terms of the writing process, we all collaborate together. We’ll usually have one or two riffs that one of us have had, and bring them into the practice space, however we do a really good job at making fresh new riffs when we’re together. After that, we work on each segment, and figure out how we want to piece it all together. Being a new member, it’s always going to be interesting seeing how that will influence a band’s writing process, however when we work on riffs, we all talk about it together, and welcome ideas from all sides, so I’ve felt very welcome to bring my ideas to the tables.

 

You’ve had some turnover in the band the last few years, and now have a new drummer. With two longtime writing partners, how hard is it to incorporate a new person into the mix?

Tom: We try to always be writing. We were writing new material almost immediately after the recording sessions for the new record were over, before we had made the change behind the kit. Each change in the lineup has molded us and changed us as a band, and hopefully the same goes for those band mates. Yianni brings his own flavor to the band and allows us to try out ideas we’ve wanted to attempt but couldn’t before. We’re still getting used to him in a writing capacity so we’ll see where it ends up in the long run, but we’re just excited to bring a new outlook to the band.

Matt: It’s a constant group effort. I write a lot of the riffs but its a definite group deal. We are very serious about the sound and so we are brutal as fuck and… not every riff i write is good, honestly we kill more riffs than we keep.

The band has already shared the stage with some major acts and played a few large festivals. What is your favorite gig so far and the one gig to play or band in the world that is your dream to play with someday?

Tom: I’d say that my favorite show we’ve played so far was the Rubber Tracks gig with Slayer and Doomriders. I’ve been a fan of Slayer since I was in high school so to see those guys for the first time in a 500 cap room as the opening act was a dream come true. Playing with Doomriders was also absolutely great. Any day Nate Newton says your band was rad after your set is a good day in my book, and we’ve become friendly with those guys since.

Matt: Well Slayer and Pyscho (California) Fest were highlights for sure. Slayer had its own thing going, its own style and vibe. It was cool to see them sound check with some Journey….What?!

Yianni: Ever since I joined the band, we only played a couple of shows, however my favorite one was our show with Intronaut, Scale the Summit, and North, which was on March 30th at the Downstairs Middle East. That was a really fun time. I think the whole band would agree that sharing the stage with Mastodon would be a dream come true. We’re all very big fans of them, and highly influenced by their groundbreaking sound.

Rozamov, by Matt Lambert

Rozamov, by Matt Lambert

 

INTERVIEW BY KEITH CHACHKES

PHOTOS BY MATT LAMBERT


Concrete Confessions – Wayne Lozniak of Hatebreed


Hatebreed - The Concrete Confessional album cover ghost cult mag

Hatebreed recently kicked off a tour supporting their new album The Concrete Confessional (Nuclear Blast). Backstage at The Marquee Theater in Tempe, Arizona Ghost Cult’s Victoria Anderson caught up with long-time guitarist Wayne Lozniak to discuss touring, his long history with the band, his favorite guitar, and more.

 

 

Hatebreed’s “The Concrete Confessional Tour” with Devildriver, *Devil You Know, **Act Of Defiance
May 13: The Odeon – Cleveland, OH
May 14: Metro Chicago, IL
May 15: Bourbon Theatre – Lincoln, NE
May 16: The Summit Music Hall – Denver, CO
May 17: The Complex – Salt Lake City, UT
May 19: The Regency Ballroom – San Francisco, CA
May 20: Ace of Spades- Sacramento, CA
May 21: The Glass House – Pomona, CA
May 22: Echoplex – Los Angeles, CA
May 23: The Marquee – Tempe, AZ
May 25: Warehouse Live – Houston, TX
May 26: Republic New Orleans – New Orleans, LA
May 27: Gas MonkeyDallas, TX
May 31:The MasqueradeAtlanta, GA
Jun 01: Hooligans – Jacksonville, NC
Jun 02: Baltimore Soundstage – Baltimore, MD
Jun 03: Underground Arts- Philadelphia, PA
Jun 04: Starland Ballroom – Sayreville, NJ
Jun 0
5 Virgin Mobile Corona Theatre – Montreal, QC
Jun 06:Opera HouseToronto, ON
Jun 07: Mr. Smalls Theatre – Millvale, PA
Jun 08: Upstate Concert Hall- Clifton Park, NY
Jun 09: Higher GroundSo. Burlington, VT
Jun 10: Lupo’s Heartbreak HotelProvidence, RI
Jun 11: Toad’s PlaceNew Haven, CT
*On tour May 13 – Jun 04
**On tour Jun 05 – Jun 11

European summer festival dates:
06/17:- 06/19: Hellfest – Clisson, FR
07/01:- 07/03 With Full Force Festival – Flugplatz Roitzschjora, DE
07/07:- 07/09:Resurrection Fest – Viveiro, ES
07/08:- 07/10:Out & Loud Festival – Geiselwind, DE
08/26:- 08/27: Reload Festival – Sulingen, DE

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