On November 3, 2019, the relatively quiet college town of New Haven, CT welcomed a five-part, earth-shaking line up to their prized venue, Toad’s Place. Back-to-back headbangers, Santa Cruz, Tempting Fate, He Is Legend and Whitechapel, all supported Atreyu on their 20th-anniversary tour and packed out the intimate venue. None of the “do not mosh” signs stood a chance against the excitable and enthusiastic fans who could not resist a circle pit.Continue reading →
The Fresh-faced act Gatecreeper and the veteran collective Exhumed both recently released shiny new full-length albums. Just six weeks ago we were gifted with some fresh and fearsome material from these great groups. Now they have joined forces on the road to play their new fantastically foul tunes. The Sanctuary was an ideal venue to host a stop on this tour. It’s the perfect size and atmosphere for the fans to experience an intimate and enjoyable encounter with these Death Metal experts. Just outside of Detroit, The Sanctuary caters particularly well to the heavy. This pocket-sized music club proudly hosts some of the best metal shows that come through Michigan. With venues like this, and local acts like Mutilatred, show us that the metal scene in this state is alive and well. The enthusiastic gang of guys in Mutilatred opened the show with a spunky, spirited set. They even handed out actual paper flyers which gave the night a marvelously old school feel. Continue reading →
For years, metal and hardcore have been regular bedfellows but that wasn’t always the way. Back in the ’80s, metalheads regularly ran the risk of getting beaten up if they attended hardcore or punk shows. Skins and Mohawks did not take kindly to long-hairs stepping onto their turf, and vice versa. It wasn’t until the emergence of more popular bands like Slayer who, by straddling both genres, showed that the two sets of fans were capable of co-existing without confrontation.
I can still remember the very moment the band Cold came hurtling into my atmosphere like a brilliant meteor, hell-bent on causing upheaval. Scooter Ward and his musical cohorts were the direct support band for the St. Louis, Missouri Industrial band, Gravity Kills. Cold, with their first studio album, just released, was still flying under the radar as far as getting mainstream exposure and radio play. The small venue in La Crosse, Wisconsin was sold-out on that balmy summer evening. I was unaware of how my life would be altered forever by a band I had never even heard of when I walked into that venue.Continue reading →
When thinking of the power metal scene in general, you would be forgiven for not necessarily considering Britain an institution of it. Considering that Germany has offered the worldwide scene the likes of Helloween and Blind Guardian, and Finnish groups such as Stratovarius and Sonata Arctica, it is unsurprising that power metal shows in the UK come few and far between, despite the country’s roots in the highly influential NWOBHM genre.Continue reading →
If you have read these web pages of Ghost Cult, you know one of our favorite albums of 2019 is the solo début album from William DuVall of Alice In Chains. While many know him for fronting that legendary band since their comeback in 2006. However, as discussed in our review of One Alone, Duvall’s lengthy career has traversed genres and time-space in a way that all great singer/songwriters can. The album is introspective, yet fiery and lends itself to this solo setting. With the artist doing a brief tour to promote the release, we were excited to see a new side of the man in person at Cutting Room in midtown east neighborhood of Manhattan. Continue reading →
We were back at the Worcester Palladium for the massive fall tour co-headline tour of Municipal Waste and Napalm Death, with Sick Of It All and Take Offense as support! The venue had been home to the annual Rock and Shock all weekend, “3 days of Metal and Horror”. The weekend had already seen the likes of Korpiklanni, Eluveitie, Revocation, with locals like Vivisepulture, and Ice Giant (Day 1) and Day 2 was dominated by the folks over at Psychopathic Records with the Insane Clown Posse and all their friends as well, with a few local bands opening on the second stage upstairs.Continue reading →