Founded back in 2006, Aurvandil have released only demos, splits and an EP between 2007-2010. The first steps into the full-lengths were done with Yearning, in 2011, and now I declare Aurvandil are a serious confirmation within the atmospheric black metal sub-genre because of the brand new Thrones (Eisenwald).Including four magical hymns of Iron and Ice to cleanse the Earth of false designs, Thrones is able to take our body and soul into the gelid northern landscapes in order to reach the hyperborean purity.
The using of melodic and slow acoustic guitars in the album kick off with ‘For Whom Burnest Thou’ is like a ritualistic moment which is preparing us for this immaculate journey that will transcend us onto glacial rivers and misty mountains. These two environments I just described are personified by heavy and long hypnotic guitar riffs that are beautifully transfigured as cold breezes running in our veins. However, that’s not the only work done with guitars as we have some melodic lead passages that can be seen as black/post metal performances, like in ‘The Harvest Of Betrayal’ or ‘Ingen Lindring’.
‘Summon The Storms’ may be seen as the epic peak with its almost twenty minutes running time where all Aurvandil characteristics and aesthetics are blended. It’s genial and certainly created through hard work.
The frozen and harsh vocals are heard all along the album; sometimes a little far, but I interpreted this feature as being in an ample landscape. The lyrics include what best defines this kind of music: ancient values and the eagerness to fight a rotting modern world.
I dare to say I haven’t heard such good straight atmospheric black metal album since the day I bought Walknut’s Graveforests And Their Shadows. Thrones is marvelous, iconic, intriguing and devoted to the cause. It’s a must-have for the past-seeking devotees and for those who have embraced the majestic atmospheric black metal movement.