Since their previously solitary release, Portland, Oregon doom metaller’s Burial Clouds have undergone a significant change into an almost entirely new entity. Once entirely an instrumental outfit, the band have since added vocalist Michael Malarkey to their ranks; and with that have added extra dimensions to their sound as shown on debut full-length Last Days Of A Dying World (Church Road Records).

Previously an emotive and bleak sounding act (doom metal of course), proceedings are more expressive and overt in their tones, matched with a surprising range of vocal styles and delivery. Album opener ‘Cloudsplitter’ creates a sense of tension with its slow build in to towering and unmistakable doom metal style whilst Malarkey’s voice in the first instance feels reminiscent of Jerry Cantrell, before adopting harsher wails alongside an increased tempo.

 

‘Beirut Shores’ is a largely more contemplative and sultry piece that sees a dulcet croon across the former, stripped down half of the song before this once again increases in pace. ‘Seawall’ offsets with a very melancholic piano passage which eases into tortured shrieks, before the closing brace of ‘Ether Fields’ and ‘Death, Emperor’ showcase the band’s expansive nature with both songs sitting around the ten-minute mark and ever-changing dynamics.

 

 

It often happens that a change in the ranks can mean substantial differences for a band creatively and the addition of a vocalist in this case has proven a huge and rewarding evolution for the band. The range in vocal styles is a powerful upgrade that has been matched with an air for expansion in the musicality to a significant degree. Perhaps more provocative in its tones and subject matter but with plentiful moments that allow you to drift into your own thoughts and emotions.

 

Buy the album here:

https://burialclouds.bandcamp.com/album/last-days-of-a-dying-world

 

7 / 10

CHRIS TIPPELL