PODCAST: Glacially Musical #171 – Slayer: “Seasons In The Abyss” or Crucial Album Number 5


Time for episode 666 of our @Slayer series! Nik and Keefy of @GhostCultMag wax ans wane about “Seasons In The Abyss” – a stone-cold classic!Continue reading


ALBUM REVIEW: Spirit Adrift – Ghost At The Gallows


 

As the dog-fighting solos of “Give Her To The River” battle across the sunlit horizon between your ears, flurries of shrapnel-barbed melodic notes and runs fired first from one side of your headphones then the other, for those of us who are battle-hardened Heavy Metal warriors it’s hard not to grin and surrender to the glory of the Ghost At The Gallows, for the Spirit Adrift has claimed another champion to its horde.

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ALBUM REVIEW: Tanith – Voyager


 

Tanith have perfectly the sound and feel of seventies Hard Rock and Heavy Metal with their latest album, Voyage (Metal Blade). Imagine traveling in a VW bus that is painted with brightly colored dragons and wizards with plenty of magic smoke billowing out the windows. Tanith would be the soundtrack of choice as you travel back in time.

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ALBUM REVIEW: Imperium Dekadenz – Into Sorrow Evermore


Into Sorrow Evermore (Napalm Records) marks the return of the German Black Metal two-piece Imperium Dekadenz, who wears the influence of the Norwegian second wave firmly on their sleeve, along with the inspiration of their Black Forest surroundings. The album is their seventh full-length release and dives deep into a landscape of atmospheric black metal, written as a symphony of aggressive yet uplifting music, woven around sweeping and mesmerising guitar riffs.Continue reading


ALBUM REVIEW: Daeva – Through Sheer Will and Black Magic


 

Through Sheer Will and Black Magic (20 Buck Spin) is the debut full-length release from Philadephia’s Daeva, a perhaps overdue followup to 2017’s Pulsing Dark Absorptions EP. The new record is a “fiery maelstrom of early demonic black metal and jagged edge thrash convulsions”, according to the press release, and the cover art is undeniably of the Hellish persuasion, depicting as it does in quasi-cartoon form a plethora of dragons, devil-beings and other assorted ghoulish creatures against a dramatic backdrop of moody skies and outlandish cliffs. It’s the type of album cover that could have been plucked straight out of the eighties and that could either be viewed as life-affirmingly nostalgic or snigger-inducingly ludicrous.

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Super7 is Releasing New Slayer and Venom ReAction Figures Next Week


Super7 Toys will release new ReAction figures next week of Slayer and Venom! Slayer’s figure is based on the track “Born of Fire” from 1990’s Seasons In The Abyss (American Recordings) and comes in translucent orange. The Venom figure is the classic mascot in Glow-In-The-Dark green! Pre-orders will go live by mid-week when Super7 usually drops new releases.

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CLASSIC ALBUMS REVISITED: Black Sabbath – “Paranoid” Turns 50


 

With bands taking so much time between studio albums these days, it’s astonishing to believe that in the space of just three years, between 1970 and 1973, Brummie icons Black Sabbath released no less than five of the most important records in the annals of heavy metal.

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ALBUM REVIEW: Marilyn Manson – We Are Chaos


(Editor’s note: we are aware of this ongoing story which presumes to be about Marilyn Manson, although he is never named. We are still tracking this story at press time.)

Twenty-five years plus into his career, Marilyn Manson continues to be an enigma, wrapped tight inside a riddle, not wishing to be fully known. By never making the same album twice with his namesake band, he continues to defy expectations, and be equally loved and hated. While his early albums are masterworks that others from the 1990s would kill to rest their reputations on. However, as the rockstar gains on years and gets further away from his early years, he has transformed into a much more interesting character than when he was freaking out pastors and scarring moms and dads.

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EXCLUSIVE PREMIERE: Turkey Vulture – “Old Nick”


Vicious music chameleons Turkey Vulture are back with a new single, from their upcoming second EP, Time To Pay, due out on July 31st. Up until now, the duo from Connecticut has shown shades of Stoner Doom, old-school Punk, local Sea shanty’s, Heavy Metal, and on occasion, Americana with inventive originals and inspired covers. In a new track derived from by the infamous “Crossroads” story of Bluesman Robert Johnson and the Devil, “Old Nick” is a revved-up, proto-metal blues track with a great shuffle beat! Check out the track now!

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