ALBUM REVIEW: Rival Sons – Lightbringer


 

You wait four years for a Rival Sons album and, just like buses, two come along at once. Lightbringer (Atlantic Records) is the new record from the Californian quartet, following on from companion piece Darkfighter which came out in June this year. With the everpresent Dave Cobb behind the desk, their eighth album is a compact six track offering that mixes their classic, fuzzed up Rock N Roll with atmospheric Folk and acoustic elements to great effect.

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ALBUM REVIEW: Pistols At Dawn – Ascension


 

Hot on the heels of last year’s four-track EP Nocturnal Youth, comes Pistols At Dawn’s latest album Ascension (JFL Entertainment). The Atlanta-based quintet’s sound is alternative-influenced hard rock, and their newest one Ascension is a promising if patchy, display of heavy grooves and soaring choruses with a brooding atmosphere. Continue reading


EP REVIEW: Asking Alexandra – Never Gonna Learn


Having nailed Asking Alexandria 3.0, with last year’s vibrant See What’s On The Inside (Better Noise), the UK metalcore-turned-rock beasts are keen to capitalise on the critical and commercial success of their seventh album with a four-track EP, featuring two exclusive tracks.

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ALBUM REVIEW: Black Stone Cherry – The Human Condition


 

After the bluesy Southern Rock of 2018s rollicking Family Tree and the two blues covers EPs Back to Blues comes The Human Condition (Mascot Records) – out and out hard rock upon which they built their career. Like Clutch, Black Stone Cherry do not make bad albums and this new one – their seventh – is another example of this.

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Skraeckoedlan – Eorpe


Skraeckoedlan’s newest offering is entitled Eorpe (Fuzzorama) – or Earth for the non-Swedes. Eorpe is part Stoner, part psychedelic music, with much sounding like New Wave music from the eighties with modern production values. There’s a familiarity to the tone and pacing of the music that us old fogies will enjoy, but, it’s “out there” enough for younger listeners to turn on, tune in, and drop out – the blending works as it’s a relaxing non-offensive listen.Continue reading


GHOST CULT ALBUMS OF THE YEAR 2018 – Senior Editor Steve Tovey


Minimal waffle, maximum music – I’m very aware that there is too much music and not enough time! I’ve had close to 1,000 albums pass through my inbox this year alone (I’ve probably only been able to listen to about a third of them), and what I’m presenting are my favourite albums of 2018, the albums that I’ve connected most with, that matter most to me, one way or another.

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Senses Fail – If There Is Light, It Will Find You


One of the few original emo bands left, Senses Fail (Pure Noise)has released their seventh studio album If There Is Light, It Will Find You. The New Jersey natives debuted onto the scene in 2004 with megahit Let It Enfold You and much of the strong energy that was presented on that album has been carried into this new LP. Continue reading


Moose Blood – I Don’t Think I Can Do This Anymore


Off the back of the critically acclaimed sophomore record Blush, Canterbury quintet Moose Blood are back with a new record I Don’t Think I Can Do This Anymore (Hopeless). Kicking off with ‘Have I Told You Enough’, I was immediately taken with the musical approach by the band as the lead guitar motifs perfectly complemented the vocals, and the whole thing gave off a very warm summery tone. ‘Talk In Your Sleep’ picks up the pace a bit more and features the outstanding chorus of the entire record – an arena-ready anthem for sure. The breakdown towards the end was also a good addition to the feel of the song.Continue reading


Disperse – Foreword


Polish and English progressive rock and metal quartet Disperse returns to present their third studio album Foreword (Season of Mist). This band may take inspiration from bands such as Pink Floyd, and Dream Theater, but it ends up with a very modern sound , in some parts similar to pop bands such as Kensington, but with a more progressive bent to their music.Continue reading