Hailing from Salt Lake City and formed by Cult Leader bassist Sam Richards, Rile are a band with fine credentials who have recently landed on the Church Road Records roster and have created a solid debut for the UK label, which unashamedly takes inspiration from Converge, Trap Them and the like.
We can’t delve quite into Year of the Knife’s No Love Lost (Pure Noise Records) without addressing the unfortunate accident that this Delaware collective endured this Summer. For those not in the know consult the internet and read up on what happened in Salt Lake City this July.
Hailing from Athens, Blame Kandinsky style themselves as the Greek lovechild of Botch and The Dillinger Escape Plan, and dropped their debut album Spotting Elegance back in 2017, before hitting some high-profile tours around Europe including a support slot with Cavalera Conspiracy.
How to best describe what Armed for Apocalypse’s Ritual Violence (Candlelight Records) sounds like? While I’ve never had the pleasure, I imagine it’s much like jamming a knife into an electrical outlet. Not sure if that analogy will work for everyone. Well, it’s like witnessing the centerpiece car wreck from Quentin Tarantino’s Death Proof. Shit, barely anyone saw that movie. Just know that it’s abrasive and the average listener should approach with upmost caution.
In 2010 following the death of his father, Paradise Lost’s founding guitar player and principle songwriter Gregor Mackintosh formed Vallenfyre with Hamish Glencross (ex-My Dying Bride). The aim was to provide an outlet for his grief by recording the heavier black / death metal-influenced music he had been writing, with Gregor also on vocal duties, a role he had never performed in Paradise Lost. In 2018 after three albums Gregor announced the project had come to a close, but from the ashes rose Strigoi, formed with Vallenfyre bassist Chris Casket (Devilment, ex Extreme Noise Terror), which would continue in a similar vein with 2019’s debut album Abandon All Faith.
Yes, I think I’ve figured it out. What’s that? Well, I’m listening to Gaerea’s Mirage (Season of Mist) and for whatever reason, my brain keeps bringing up modern-day Lorna Shore. How does that make any sense, you ask? The former is clearly a black metal outfit, while the latter traffics in the death metal – deathcore, whatever – side of things. Sure, but as stylistically distinct as they are, boy do both bands enjoy being self-indulgent.
How so?
Released some twenty-five years into a career that saw them burst out of the east-coast hardcore scene in the mid nineties, Heavy Pendulum (Relapse Records) is Cave In’s seventh album, and is a landmark release for the band who sadly lost their bass player Caleb Schofield to a car accident in 2018. Schofield also provided many of Cave In’s heavier vocals, and his role in the band is assumed by close friend Nate Newton (Converge, Deathriders), and who also has a mean voice himself.
After the four-year gap since their last studio album, Massachusetts hardcore/metalcore act Converge return with something quite different. A collaborative effort, Bloodmoon: I (Epitaph Records) sees the band joining forces with Chelsea Wolfe, Ben Chisholm plus Cave In singer/guitarist Stephen Brodsky, the seven individuals all contributing to something a little out of their usual comfort zones.
Following the news that former Entombed and current Entombed AD vocalist Lars-Goran Petrov was diagnosed with incurable cancer, Converge announced they would be donating 100% of the earnings from their 2013 guest-filled Entombed covers EP to Petrov’s GoFundMe. The EP includes five covers of Entombed’s “Wolverine Blues” with a different vocalist on each one. The covers were originally recorded to be spliced together as one track on Converge’s 2012 split with Napalm Death, but the following year, Converge released each vocalist’s take as its own track on this EP. In addition to Converge’s own Jacob Bannon, Nate Newton, and Kurt Ballou, the vocalists include Aaron Turner (Isis, Sumac, Old Man Gloom), Kevin Baker (All Pigs Must Die, The Hope Conspiracy), and Tomas “Tompa” Lindberg (At The Gates, Disfear).Continue reading
Converge has shared a brand new track to help us get through this dark time! ‘Endless Arrow’ is a a new, over 30-minute version of their song ‘Aimless Arrow’, from their 2012 album All We Love We Leave Behind (Epitaph Records). The song was shared as a “pay what you want” option on Bandcamp, so feel free to help this band, who have indicated they are working on new music for a future release.
The band commented:
To keep people entertained in these challenging times, Converge present “Endless Arrow”; A over 30 minute ambient/experimental version of our song “Aimless Arrow” created by Kurt Ballou. This ambient/experimental track is offered as a “Pay What You Want” download.