Slash Shares His Single “Oh Well” Ft. Chris Stapleton – New Album “Orgy Of The Damned” Out Soon



Slash is coming up on the release of his star-studded debut blues album – the sixth solo album of his career – Orgy of the Damned. It is due out on May 17 via Gibson Records. The iconic guitarist has just released the latest track from the full-length, a cover of Fleetwood Mac’s “Oh Well,” featuring vocals from outlaw country star Chris Stapleton. Listen to the song and find out more below.
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ALBUM REVIEW: CNTS – Thoughts and Prayers


CNTS is a classy band. You already know that before you’ve heard a note of the music. So for the uninitiated (this being the band’s second album, following their self-titled 2019 debut) what are you going to expect of Thoughts & Prayers (Ipecac Recordings)?Continue reading


PODCAST: Glacially Musical #172 – Slayer “Divine intervention” Reviewed ft. Omar Cordy of Ghost Cult


Time for our final episode of our Slayer series ! Nik and Keefy are joined by Omar Cordy of #GhostCultMag to discuss the first post-Dave Lombardo era, and the merits of Paul Bostaph! We also rank every album we covered!Continue reading


Slash Drops A New Single and Video for “Killing Floor” Featuring Brian Johnson and Steve Tyler – New Album Coming Soon



Slash has released a new single; his take on the Howlin’ Wolf blues classic, “Killing Floor.” The track features Brian Johnson of AC/DC on vocals, Steven Tyler of Aerosmith on harmonica, and Slash’s blues band; Johnny Griparic (bass), Teddy Andreadis (keyboards), Michael Jerome (drums), and Tash Neal (vocals/guitar). The iconic guitarist has also announced that his sixth solo album, Orgy of the Damned, will be released on May 17 via Gibson Records. The 12 song collection shakes up and revitalizes blues classics, with a stripped-down, instinctive approach. Watch the new video for “Killing Floor” and find out more below.
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ALBUM REVIEW: Duff McKagan – Lighthouse


 

Duff McKagan is an interesting character. Having released his first solo album in 1993, a big gap followed till 2019’s Tenderness, with Lighthouse (BFD Records /Orchard/Sony) his third. This of course is but a fraction of McKagan’s musical story. Consistently coming across as the most likeable out of the classic Guns N’ Roses lineup (in which he played bass and for his part was inducted into the Rock and Roll Hall of Fame), such a rock pedigree is already more than most mere mortals would ever get a sniff at.

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ONI Shares Their New Single “Secrets” – ft. Iggy Pop and Randy Blythe, New Album Incoming


Progressive metalcore project ONI, have shared their second track, “Secrets” featuring guest vocals from punk icon Iggy Pop and Lamb of God frontman, Randy Blythe. The single, along with previously released songs, “The Lie” and ‘War Ender’ featuring NYC trap metal squad, City Morgue, are taken from the band’s forthcoming second album, Loathing Light, which is set to land on June 17th, via Ironshore Records. Continue reading


“Bowie At 75” Book Celebrates The Entire Career of the Iconic Artist David Bowie


Bowie At 75 is a unique and beautifully produced celebration of the iconic rock star David Bowie, examining his extraordinary life through the lens of 75 significant career achievements and life events. Covering his entire recorded output in this lovingly expressive and collectible written by the dean of Rock and Heavy Metal journalism, Author Martin Popoff. The book arrives June 14th, 2022, and pre-orders are live now at the link below.

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ALBUM REVIEW: Monster Magnet – A Better Dystopia


Monster Magnet probably needs no introduction to anyone who has paid any degree of attention to the alternative rock scene over the last 25 years or more. The band has always been unashamedly and unapologetically rockist in their approach. Largely ignoring scenes such as grunge as they have come and gone, Monster Magnet have managed to pump out album after album of classic heavy rock, and they continue to play to huge audiences. Somehow they have always stood out from the crowd of rock revivalists and “stoner” bands. Whilst the music of many of these retro bands so often feels tired and trite when compared to the 60s or 70s bands they try to copy, they always exuded a special kind of conviction, authenticity and raw power that sets them apart. Maybe this has something to do with (singer, guitar player and only original member) Dave Wyndorf having been born in 1956 and so having actually lived through the 60s and 70s. Either way, the music has always felt just as legitimate and classy as records by Motörhead or Deep Purple.

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