ALBUM REVIEW: Asinhell – Impii Hora


 

Let’s talk about Volbeat for a minute. They have a huge following and a ton of people dig ‘em. Good for them. I’m just not their target audience. I was born and raised on Carcass, Bolt Thrower and Deicide.

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ALBUM REVIEW: Casket Feeder – Servants of Violence


Within deepest, darkest Buckinghamshire, in the mighty English town of Milton Keynes, something has awoken. For six years the warning signs have been there. Dark, viscous rumblings emanating from rehearsal rooms, recording studios and the most blackened corners of the internet. In 2017 there was the Venomous Tongues EP. The following year there was second EP Scalps (Hibernacula). And then, silence.Continue reading


PODCAST: Episode 155: Nicke Andersson of The Hellacopters – The Ghost Cult Interview


Ghost Cult caught up with Nicke Andersson of The Hellacopters, Entombed, Lucifer and more to discuss their new album Eyes of Oblivion – due out on April 1st, 2022 from Nuclear Blast. Nicke disccused the new album, how he approaches composition, the bands’ return from hiatus in 2016, Nicke’s producing approach, the return of shows, nightlife in Sweden and Berlin, and future projects from many of his other bands!

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ALBUM REVIEW: Volbeat – Servant of the Mind


At what point do we (I? Is it just me by now…? in which case, I’ll get with the programme asap!) change our default position that bands twenty years deep into their careers shouldn’t be producing their best stuff in a heavy music arena? Cos it’s bollocks. Our staff voted-for album of the year top 3 picks for this year to prove it. The last ten years of evidence proves it. A whole plethora of written-off bands pushing well into their second, third, even fourth, decade with career best releases prove it. There’s a pervading feeling that age dilutes quality and / or heaviness, yet nothing could be further than the truth. Particularly in the Volbeat camp, because, Servant of the Mind (EMI), their twentieth anniversary and eighth studio release, is their best to date. Form is temporary when class is permanent.Continue reading


ALBUM REVIEW: The Lurking Fear – Death Madness Horror Decay


Consistency and identity – albeit a distorted, perturbed sense of being – are the cornerstones of the second album of The Lurking Fear – the “ugly step-child” (according to Tomas Lindberg Redant) of Swedish melodeath rejuvenants At The Gates. There has been a conscious effort to double down and to make clear what was originally “just” a side-project is, why it exists, and just what it’s purpose is. Indeed, as the parent group have taken further strides to redefine and push themselves since their return, particularly this year, so too the offspring has engaged in a campaign of scent-marking; defining their own identity on Death, Madness, Horror, Decay’(Century Media).

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LIVESTREAM REVIEW – Gatecreeper


Hard to believe that we are rapidly approaching one year of living with the Covid-19 pandemic. What may be the strangest part of this forgotten year is that we as people have begun to normalize the lockdown. Hollywood tentpole films now debut on streaming services, sporting events march on with empty stands and the only way to catch live music is either dusting off concert film of yesteryear or watching a band’s official live stream. Gatecreeper is the latest to try their hand in a bare venue and played a blistering set from Crescent Ballroom in Phoenix.

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ALBUM REVIEW: Necrot – Mortal – Tankcrimes


What’s the best strategy when it comes time to record a follow-up to a critically acclaimed album like 2017’s Blood Offerings? Well, for Necrot it seems as simple as following the course. Yes, that approach on paper does come across a little reductionist and it may imply that Mortal (Tankcrimes) is merely a rehash. But while Necrot may not be reimagining the genre on Mortal they are serving up some of the most satisfying Death Metal today.

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Converge’s Entombed Covers EP, 100% of Proceeds to Support LG Petrov’s GoFundMe.



Following the news that former Entombed and current Entombed AD vocalist Lars-Goran Petrov was diagnosed with incurable cancer, Converge announced they would be donating 100% of the earnings from their 2013 guest-filled Entombed covers EP to Petrov’s GoFundMe. The EP includes five covers of Entombed’s “Wolverine Blues” with a different vocalist on each one. The covers were originally recorded to be spliced together as one track on Converge’s 2012 split with Napalm Death, but the following year, Converge released each vocalist’s take as its own track on this EP. In addition to Converge’s own Jacob Bannon, Nate Newton, and Kurt Ballou, the vocalists include Aaron Turner (Isis, Sumac, Old Man Gloom), Kevin Baker (All Pigs Must Die, The Hope Conspiracy), and Tomas “Tompa” Lindberg (At The Gates, Disfear).Continue reading


Lars-Göran Petrov, Vocalist of Entombed A.D., is Battling Cancer


Legendary Death Metal vocalist Lars-Göran Petrov, best known for Entombed and Entombed A.D., has revealed he has cancer. The Swedish singer’s health setback was broken earlier today on social media. The band shared a photo of Petrov at what appears to be a treatment center, and included the following message: “Sad news.. LG Petrov has been struck by cancer and he is undergoing chemo treatment to try and control it. Our thoughts and strength goes out to our brother. If you want to support him In these hard times, click on the link in the Bio and feel free to donate. #fuckcancer #fightforlifeandmetal’

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