ALBUM REVIEW: Newmoon – Temporary Light


In the mid-80s under the shadow of the Regan-era Cold War tension, bands like the Cocteau Twins crafted sonic fairylands that shone out from their depressive souls.

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CONCERT REVIEW: Crosses – Crook One Live at The Fox Theater


I could not have picked a better night to go out to Oakland to see the headline tour from Crosses. I remember seeing their debut tour over a decade ago when I lived in Boston, at the Paradise Rock Club. That night, the venue was packed to the gills, and I distinctly remember being by the soundboard and seeing the separate rack settings and notes for Chino Moreno’s microphone and effects. It was a pretty cool glimpse inside the live sound of the guy who I have followed since the mid-nineties with Deftones. But much like Maynard James Keenan and Puscifer, it does seem like Crosses is his favorite child and passion. Along with his partner Shawn Lopez, formerly of the awesome and now defunct Sacramento band Far. They make for a sick team of creatives. Continue reading


ALBUM REVIEW: Crosses – Goodnight, God Bless, I Love U, Delete


 

Chino Moreno has never been shy at exploring his mellower side away from Deftones, and over the years has dipped into the Post-Rock, Shoegaze and Trip-Hop genres providing us with some highly refined music by way of projects such as Team Sleep and Palms, his collaboration with three former members of Post-Metal kings Isis. Continue reading


ALBUM REVIEW: Blood Command – World Domination


 

World Domination is a big old task. Both in terms of, um, well, actually taking over the world, but also in terms of taking everything about the fifth full-length from Norwegian collective Blood Command in. Twenty tracks, and everything from Black Metal to slick pop, via snarling punk, metallic stomping Hardcore, and even the odd pause for breath (though only a sharp intake before heading off somewhere else, into urban beats, or shimmery synths, or kicking someone’s head in).

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ALBUM REVIEW: Mad Honey – Satellite Aphrodite


 

Satellite Aphrodite (Deathwish Inc.) is the debut album from Oklahoma’s Mad Honey, a four-piece who are variously described as dream-pop, shoegaze, indie and glitter rock (whatever that is).

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ALBUM REVIEW: Pvris – Evergreen


 

Evergreen (Hopeless Records) is a very ambitious album and frankly by far the most thematically well-rounded and best effort from Pvris yet. Lyndsey Gerd Gunnulfsen has seamlessly planted a flag on the moon here, showing it was her that made this project special all along. Not only a queer champion, Gunnulfsen is a top-notch creator and performer who can back it up with grade-A material with startling philosophical depth amidst the beats and hooks.

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ALBUM REVIEW: Jaye Jayle – Don’t Let Your Love Life Get You Down


 

Jaye Jayle is effectively the solo project of Evan Patterson, and Don’t Let Your Love Life Get You Down (Pelagic Records) is his first offering since his divorce from Emma Ruth Rundle — a topic which seems to have informed both the title and the content of this new record.

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EP REVIEW: Moodring – Your Light Fades Away


Florida/Atlanta three-piece Moodring has certainly been consistent with their output since they released showmetherealyou (UNFD) in 2021, with a number of singles and last years long-player Stargazer, gaining them some serious recognition.

 

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Crosses Surprise Releases New Cover Song and Video – “The Beginning Of The End”


††† (Crosses) – the electropop supergroup led by Chino Moreno of Deftones has shared their first new music in 6 years since their 2014 self-titled record. Watch their video for their cover of 1990s electropop band Cause & Effect’s “The Beginning Of The End”. In addition to Moreno, the band features guitarist Shaun Lopez.

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