Formed in 2000, Boston act Revocation have come along way since starting life under the rather uninspiring name of Cryptic Warning. Sounding like a particularly vicious blend of Sepultura and Pantera, the band were already exhibiting great technical skill, but changing both their direction and name in 2006 took things to the next level. Two years later they unleashed their début album, the self-released Empire of the Obscene, and the transformation was astonishing.

Effortlessly combining Technical Death Metal and Thrash, the band released four more albums, each one just as blistering as the last, but moving forwards each time, adding more melodic, Jazz, and traditional metal aspects along the way without losing any of their signature attack.

Now, there comes a time when after a number of well-received releases, a band will eventually feel a backlash. Well, if Revocation are to be on the end of such a thing, then it certainly won’t be with this album as Great is Our Sin (Metal Blade) is every bit as good as their previous five albums. Picking a highlight is a ridiculously difficult task as virtually everything hits the mark perfectly, but listen out for the Steve Vai-esque guitar solo on ‘Monolithic Ignorance’, Brett Bamberger‘s bass line at the beginning of ‘Crumbling Imperium’, and the drums on, well… everything. Anyone concerned about 3 Inches of Blood drummer Ash Pearson not being up to the task of stepping into the formidable shoes of Phil Dubois-Coyne can stop worrying right now.

The guitar work here is sensational; Dan Gargiulo and vocalist/founder member David Davidson utilising many different styles to get their point across without ever feeling forced or awkward. Oh, and just when you think it can’t get any better, here comes Marty Friedman with a guest spot on the quite brilliant ‘The Exaltation’.

Being overly critical, it could be said that Zeuss‘s production maybe isn’t quite as crisp as it could be, and although well played, the cover of ‘Altar of Sacrifice’ by Slayer is exactly what it is – a bonus track. Overall though, Great Is Our Sin is yet another triumph by Revocation. A thundering wall of sound replete with Jazz breaks, virtuoso solos, inhuman vocals, and an abundance of influences. Everyone from Iron Maiden and Testament to Gojira, Cynic and Gorguts and in between. And more.

8.5/10

GARY ALCOCK

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